En suivant les m​é​andres

from D​é​tour D​é​tail by Source

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Intention :
I follow those small bubbles, containing memories, when they explode it all comes out : the good, the bad, the smells, the ideas and feelings of the past.. Sometimes a few of them arrange themselves into a story, but it always ends up dissolving itself. So I watch them arise, elevate until they can’t anymore, and then let everything out, falling to the sea. On their way back, they interact with today’s me, making new memories for future me.

Technic :
A lot of sounds have been processed with Argeïphontes Lyre, for which I am so grateful as it spits out happy accidents a lot, while totally inspiring me to stay in a creative zone where technicality stays ashore for a while.
I then imported them in VCV for more mangling (sequenced effects, granular…) Something I realize I did a lot in this album is using the out of the mixer as the FM source for a stereo voice (Bogaudio FM-OPs), I like how it makes the whole patch interact with said voice, itself included, and can go wild at times, it makes for a bumpy ride but really alive.
Then there is this part where a lot of sounds come from FM (again ??) sequenced by Orca’s Heart. I love this little sequencer, it is so inspiring, easy to stir and yet surprising !

credits

from D​é​tour D​é​tail, released December 29, 2021

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Tana Castanet, France

Après avoir étudié à l'ATLA en 2004 (guitare) puis au conservatoire de Pantin en 2010 (medaille d'or de composition électroacoustique) Tana participa à divers projets: composition pour film, poésie, danse, court metrages, live électronique et plusieurs projets musicaux comme Les Louise Mitchels, Mr Eddy, Volcan, Mortero, et maintenant Presque Maudit et Guilty Pleasures. ... more

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