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by Tana

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SinOmatic 06:38
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CC Freak 03:20
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OUIETALORS 03:48
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#Bummer 05:09
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Bipolar Bear 06:55
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Glitourax 04:10
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2bmt1 07:24
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about

It is about meeting my inner animal side, greeting it to come to the surface, seeing that it is all about love and exchange, now that I know what it is, I can start to accept it.
It is about letting go of expectations, accepting ideas, feelings, exploring without thinking about the end result, accepting that even if voice feels too intimate for me to use, I’d like to be able to bring that to my music, maybe later ?
Melody is back in style I say, and this album is my ode to old harmony, with a heavy use of triads, a definitive melancholic mood coming out of those minor scales and sad tones. And those synths are like small robot animals that came to realize they are not fully alive, that made them sad and they sing about it.
This album is also the result of isolation and time constraint. Working fast and never questioning the first creative jump, working almost always between 5 and 7 am, expending creatively on virtual instruments I had to get to know for work. It was my way of getting something back from all those hours spent learning tools I wouldn’t learn if it wasn’t for a job. This way of working made this naive workflow possible, and I love that I don’t exactly recognize the result as something « mine », maybe for that it is actually even more true.

credits

released May 5, 2021

Music : Tana Barbier
Artwork : Lisa Gervassi

license

all rights reserved

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about

Tana Castanet, France

Après avoir étudié à l'ATLA en 2004 (guitare) puis au conservatoire de Pantin en 2010 (medaille d'or de composition électroacoustique) Tana participa à divers projets: composition pour film, poésie, danse, court metrages, live électronique et plusieurs projets musicaux comme Les Louise Mitchels, Mr Eddy, Volcan, Mortero, et maintenant Presque Maudit et Guilty Pleasures. ... more

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